[S262.Ebook] Download Ebook Environmental Performance and Sustainable Labeling: Become a 'greener' label converter and user, by Michael Fairley, Danielle Jerschefske

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This book provides label converters and industry suppliers with information about the environment, sustainability, climate change and waste debate as it affects the label industry, and reviews the legislation, guidelines, directives, protocols and industry initiatives that have been introduced over the past decade.

It sets out guidance on how the converter or supplier can establish an environmental management system, implement ISO 14000, EMAS, LIFE or supplier scorecard programs in the areas of materials selection and usage, production performance, carbon emissions, waste management and disposal, life cycle assessment, transport and distribution, and concludes with a chapter on retailer and end-user considerations.

Throughout the book there are guideline environmental policy statements that the converter can adapt and use, case study examples of how companies are meeting environment and sustainability challenges, together with flow charts, diagrams and other illustrations that help to analyse and explain environmental solutions. It is hoped that this book will guide the industry towards a more sustainable and hopefully more profitable future.

Chapters include:

• Making sense of sustainable labeling
• Developing an environmental management and audit system
• Label materials selection and usage
• Label converter production performance
• Solid waste management in the label plant
• Design for sustainable performance
• Transport and distribution
• Retailer and end-user considerations

• Sales Rank: #2381663 in Books
• Published on: 2014-08-16
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .39" w x 8.00" l, .74 pounds
• Binding: Paperback
• 164 pages

About the Author

Michael Fairley has been writing and speaking about label and packaging materials, technology and applications since the 1970s, both as the founder of Labels & Labeling and other print industry magazine titles and as an international consultant writing label industry market and technology research reports for the likes of Frost & Sullivan, Economist Intelligence Unit, Pira, InfoTrends and Labels & Labelling Consultancy.

He now works as a consultant to Tarsus Exhibitions & Publishing - which organizes the Labelexpo shows, Label Summits and publishes Labels & Labeling magazine - as well as regularly speaking at industry conferences and seminars.

He is a Fellow of the Institute of Packaging / Packaging Society, Fellow of IP3, a Freeman of the Worshipful Company of Stationers, an Honorary Life Member of FINAT and a Licentiate of the City & Guilds of London Institute. He was awarded the R. Stanton Avery Lifetime Achievement Award in 2009.

Danielle Jerschefske is the North America Editor for Labels & Labeling magazine, holding a Bachelor’s degree in International Studies from the University of Wisconsin Milwaukee. Danielle regularly presents at leading industry conferences on subjects including environmental strategies, interactive packaging, regional and global trends, and the rise of the private label.

Danielle has closely followed the emergence of environmental consciousness within the label industry and was awarded ‘Publication of the Year - 2007’ in the article category for her piece, ‘Green 101’ by the PNEAC. She is an active participant in the TLMI environmental committee, its recycling subcommittee and a proponent of the Phoenix Challenge Foundation.

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[B941.Ebook] PDF Ebook In the Beginning: A New Interpretation of Genesis, by Karen Armstrong

PDF Ebook In the Beginning: A New Interpretation of Genesis, by Karen Armstrong

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"KAREN ARMSTRONG IS A GENIUS."
--A. N. Wilson

As the foundation stone of the Jewish and Christian scriptures, The Book of Genesis unfolds some of the most arresting stories of world literature--the Creation; Adam and Eve; Cain and Abel; the sacrifice of Isaac. Yet the meaning of Genesis remains enigmatic. In this fascinating volume, Karen Armstrong, author of the highly acclaimed bestseller A History of God, brilliantly illuminates the mysteries and profundities of this mystifying work.

"A lyrical chronicle of one woman's wrestling with Genesis that can serve as a guide to others . . . As notable for its scholarship as it is for its honesty and vulnerability."
--Publishers Weekly

"Armstrong can simplify complex ideas, but she is never simplistic."
--The New York Times Book Review

• Sales Rank: #317558 in Books
• Color: Multicolor
• Published on: 1997-10-07
• Released on: 1997-10-07
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x .45" w x 5.50" l, .38 pounds
• Binding: Paperback
• 195 pages

Amazon.com Review
Karen Armstrong makes reading the Bible a smooth and liberating experience. The brilliance of Armstrong's analysis of Genesis lies in her ability to draw together the story, the contemporaneous situations of the characters and the writers, and the relevance of themes amid multifarious contradictions, then hold them up for us to contemplate. Edifying and engaging, this short but impressive book comes complete with the entire Genesis text.

From Publishers Weekly
Having written A History of God (1993) and Jerusalem (1996), prolific and bestselling author Armstrong turns her considerable imaginative skill and critical acumen to an interpretation of the first book of the Bible. In a series of short meditations, Armstrong explores each of the major scriptural units in Genesis, from the creation accounts (Genesis 1-3) to the death of Joseph (Genesis 50). In her reflection on and interpretation of Adam and Eve's fall from grace, she notes that the act of plucking the forbidden fruit renders the couple like God, in that they use their "wisdom and the power that comes with it for apparently evil ends as well as for good." Armstrong integrates the sophistication of biblical scholarship with the more raw inquisitiveness of the common reader. The result is a lyrical chronicle of one woman's wrestling with Genesis that can serve as a guide to others grappling with the book. While many of Armstrong's readings may provoke controversy, she provides a model of scriptural interpretation that is as notable for its scholarship as it is for its honesty and vulnerability.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
The best-selling author of A History of God (LJ 9/15/93), Armstrong gives us here essentially a highly personal modern-day midrash. She interprets selected accounts of Genesis using an archetypal approach to literature so as to offer insights into the problematic nature of human religion, especially the problems of separation between humans and God. The author presents the human predicament not as the consequence of a fall that led to the guilt of original sin (per Augustine) but as the "inevitable" result of a process "inherent" in creation. Not all readers will accept her thesis that the God of Genesis is portrayed as no less, and sometimes more, culpable than humans for an ever-widening gulf between them. Nevertheless, one will find here many helpful insights drawn from the religious paradigms of Genesis, such as those concerning the relationship between myth and modern culture. Included here, the text of Genesis (NRSV) makes up a third of the book's volume. For readers of popular religious books. [For more on this book, see "Something To Talk About," LJ 9/1/96, p. 140-143.?Ed.]?Robert H. O'Connell, Colorado Christian Univ., Denve.
-?Robert H. O'Connell, Colorado Christian Univ., Denver
Copyright 1996 Reed Business Information, Inc.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Know this
By Fathersteve
You haven't come close to understanding this first book of the Bible until you have read this book. And this book is only the beginning.

1 of 1 people found the following review helpful.
... book reluctantly but it turned out to be surprising good. Some new thoughts about creation
By Bob Visser
Really started reading this book reluctantly but it turned out to be surprising good. Some new thoughts about creation.

134 of 141 people found the following review helpful.
A standout...
By Alex Nichols, author of Shadow Rock
Karen Armstrong's "In the Beginning" came to me at the tail end of a two year study of Christianity. I looked at its dustjacket (a reproduction of Adam from the Sistine Chapel) with indifference, and decided to read it only because it was brief. To say I was pleasantly surprised is an understatement. For one thing, Armstrong is a lyrical writer -- as a copyeditor, I truly marveled at her sentences for both their clarity and poetry. For another, in this book she does something many clerics and scholars have failed to do: successfully apply meaning to the garbled message of Genesis.
She states her case pretty early on: there is no way to get a coherant understanding of God from reading Genesis. He is utterly contradictory -- creative and all-powerful in one story; vengeful and capricious in the next. This paradox has befuddled many of reader. I, for one, had come to think of Genesis as typical of the flawed meaninglessness of the Bible. But Armstrong has me reconsidering my conclusion. It seems clear, she says, that all the characters in Genesis have to endure afflictions and unfairness. Whether they are favored in God's eyes or not, their lives are difficult. A relationship with God doesn't spare them difficulties -- instead the meaning in their lives is derived in part by making it through their difficulties with their faith intact.
I really enjoyed this book. Just when I had grown tired of a subject, a new author has revived familiar terrain with a fresh perspective. I look forward to reading Armstrong's other books.

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[I739.Ebook] PDF Ebook Baby's in Black: Astrid Kirchherr, Stuart Sutcliffe, and The Beatles, by Arne Bellstorf

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Baby's in Black: Astrid Kirchherr, Stuart Sutcliffe, and The Beatles, by Arne Bellstorf

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Meet the Beatles . . . right at the beginning of their careers. This gorgeous, high-energy graphic novel is an intimate peek into the early years of the world's greatest rock band.

The heart of Baby's In Black is a love story. The "fifth Beatle," Stuart Sutcliffe, falls in love with the beautiful Astrid Kirchherr when she recruits the Beatles for a sensational (and famous) photography session during their time in Hamburg. When the band returns to the UK, Sutcliffe quits, becomes engaged to Kirchherr, and stays in Hamburg. A year later, his meteoric career as a modern artist is cut short when he dies unexpectedly.

The book ends as it begins, with Astrid, alone and adrift; but with a note of hope: her life is incomparably richer and more directed thanks to her friendship with the Beatles and her love affair with Sutcliffe. Author/illustrator Arne Bellstorf tells this tender story with stirring, romantic black-and-white artwork.

Baby's In Black is based on a true story.

• Sales Rank: #1415342 in Books
• Brand: Bellstorf, Arne
• Published on: 2014-02-04
• Released on: 2014-02-04
• Original language: English
• Number of items: 1
• Dimensions: 8.61" h x .56" w x 6.36" l, .60 pounds
• Binding: Paperback
• 208 pages

Review

“Bellstorf's ability to capture the famous faces with a few simple tweaks is remarkable, and his expressive charcoals fit the whole artsy scene well.” ―Booklist

“The Beatles' story forms a backdrop to the compelling tale of Astrid and Stu, and although readers will doubtless enjoy glimpses of "the lads" (distinguishable mainly by noses, eyebrows, and John's snarky attitude), it's doomed young love that carries the day. The march of tidily boxed black ink and pencil pictures, most of which feature characters in conversation, is relieved by unframed reveries of the lovers wandering in the woods to a soundtrack of Beatles lyrics, foreshadowing their coming loss. Bellstorf will connect with a wide readership, from photography buffs to romance readers to classic rockers.” ―BCCB

About the Author

Arne Bellstorf was born in Dannenberg, Germany in 1979. Since 2006 he has been writing and illustrating a monthly comic page for a German newspaper, Der Tagesspiegel. His New York Times Best-Selling graphic novel Baby's In Black garnered unprecedented success in the German market, finding fans from all walks of life. Arne Bellstorf lives in Hamburg, Germany.

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6 of 7 people found the following review helpful.
I love it
By WilloWill
When I was 21 I saw the movie Backbeat and became obsessed with the Stuart Sutcliffe story. I even moved to England because of it, cut my hair like Astrid's, copied her clothes and all, but I never made it to Hamburg and never found my version of Stuart.

Yes, pretty sad. Eighteen years later I am older, wiser and much more my own person, but there's still a special place in my heart for Astrid, Stu, Klaus, John and the gang.

I don't usually go for graphic novels but this was fun to read and really quite beautiful. The ending was a bit abrupt but in real life it probably was too. Apparently the book was written in close consultation with Astrid. Cool book about the world's coolest people.

4 of 4 people found the following review helpful.
Beautiful story. Art needs something.
By Maria Beadnell
The love story of Stuart (Sutcliffe) and Astrid Kirchherr is really one of the most beautiful I have ever read.

Conveniently, it took place in the genesis of the Beatles. You've heard of them. And while I had heard that the early time in Hamburg was exciting and exhausting, it takes a graphic novel to really get the squalor (they had no bath and had to clean themselves as best they could in a public washroom) and the shear idiocy (George was only 17 and shouldn't have even been out past ten pm, much less working--and none of the band had work permits) of the emerging band. It is quite a lovely story, well told in most respects.

Drat it, though, there are problems. The beautiful, spare art is SO spare it is hard to keep the characters apart. (What is the difference between these two guys? Same outfit, same hairstyle, same eyes--oh, THERE it is! A subtle change in the bend in the nose.) It slows down the story when I don't know who is talking.

The German, while infrequently used, is not always translated, or is written sloppily: "Oh, Wie geht es ihn Mrs. Kirchher?" (MRS???)

But it is a beautiful tale, making me so sad for Stu's early death; whereas I had previously been sad he didn't stay with the band and live to be a Beatle, I now am sad for Astrid and because Stu did not live up to his enormous promise as an artist.

That is quite a lot for one little 200 page graphic novel to do.

6 of 7 people found the following review helpful.
Excellent biographical graphic novel of the Fab Four's early years
By DJ Joe Sixpack
--------------------------------------------------------------------
"Baby's In Black: Astrid Kirchherr,
Stuart Sutcliffe, And The Beatles In Hamburg"
Written & Illustated by Arne Bellstorf
(First Second Books, 2012)
--------------------------------------------------------------------
NOTE: mild spoilers below
--------------------------------------------------------------------
For most of the world, the early days of the Beatles are a potent, happy creation myth, full of youth and exuberance, the triumph of pop culture and the giddy camraderie of the witty Liverpudlian lads whose music swept the world and made rock'n'roll into an artform that adults embraced as well as kids. The mythic prelude where they apprenticed in the rough nightclubs of Hamburg, Germany is a well-known legend, too, of how art student Klaus Voormann saw an early lineup of the Beatles playing live and became a rock'n'roll convert. He brought his friend Astrid Kirchherr to see them the next night, and soon she produced early photos of the band that helped shape their image, and gave them advice on how to dress and style their hair, creating the unique "mop top" look of the Beatlemania days.

There was a dark side to this story, though: Kirchherr quickly fell in love with the group's bassist, Stu Sutcliffe, who was also a talented visual artist, and who chose to leave the band and stay in Germany to pursue "serious" art, even as the band began its meteoric rise to uber-mega-celebrity. This elegant, graceful graphic novel centers in on the love affair of Kirchherr and Sutcliffe, which ended in tragedy when he died of a brain hemmorage, the result of a months-long illness that was misdiagnosed by a German doctor. This book brings that story down to its most human, heartbreaking level -- the joy and wonder of seeing the Fab Four take off is part of the tale, but the crushing sorrow of Kirchherr's loss forms the coda.

An excellent comicbook that also makes the sketchy outlines of the "Beatles started in Germany" narrative come alive, with textures and detail that help readers understand the cultural tone of postwar Europe, particularly from a youthful perspective. Great stuff, good for Beatles fans and comic fans alike. Highly recommended. (DJ Joe Sixpack, Slipcue book reviews)

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Reflective practice is at the heart of becoming a competent and confident social worker. It’s both a key element of learning and development on social work courses and an important aspect of social work practice. This accessible and introductory text explores a range of approaches to reflective practice that aims to help students become more confident in answering key questions, including 'what is reflective practice?', ‘how do I develop as a reflective practitioner?’, ‘how do I maintain reflective practice in key contexts?’.� There are sections on writing reflective journals, communicating well with service users and carers and reflective practice while on placements.

• Published on: 2016-08-15
• Original language: English
• Number of items: 1
• Dimensions: 9.61" h x .50" w x 6.69" l, .0 pounds
• Binding: Hardcover
• 200 pages

About the Author
Christine Knott is�a former Head of the School of Social Studies at the University of Chichester. She has been involved in social work and social work education for many years, including establishing the Diploma in Social Work at Chichester in 1990. Christine is now retired.

Terry Scragg is a visiting fellow in the School of Social Studies at the University of Chichester and was previously Principal Lecturer in Management responsible for postgraduate programmes for health and social care managers. He is a qualified social worker and prior to working in higher education held practitioner and managerial roles in social services departments.

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