Selasa, 30 Maret 2010

[T794.Ebook] Ebook Free The Dresden Files: Welcome to the Jungle, by Jim Butcher

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The Dresden Files: Welcome to the Jungle, by Jim Butcher

When the supernatural world spins out of control, when the police can’t handle what goes bump in the night, when monsters come screaming out of nightmares and into the mean streets, there’s just one man to call: Harry Dresden, the only professional wizard in the Chicago phone book. A police consultant and private investigator, Dresden has to walk the dangerous line between the world of night and the light of day.

Now Harry Dresden is investigating a brutal mauling at the Lincoln Park Zoo that has left a security guard dead and many questions unanswered. As an investigator of the supernatural, he senses that there’s more to this case than a simple animal attack, and as Dresden searches for clues to figure out who is really behind the crime, he finds himself next on the victim list, and being hunted by creatures that won’t leave much more than a stain if they catch him.

Written exclusively for comics by Jim Butcher, The Dresden Files: Welcome to the Jungle is a brand-new story that’s sure to enchant readers with a blend of gripping mystery and fantastic adventure.

  • Sales Rank: #145706 in Books
  • Brand: Butcher, Jim/ Syaf, Ardian (ILT)
  • Published on: 2008-10-14
  • Released on: 2008-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.56" h x .60" w x 6.91" l, 1.23 pounds
  • Binding: Hardcover
  • 160 pages

From Publishers Weekly
Author Butcher is the creator of the Dresden Files series of novels (the basis for the short-lived Sci-Fi channel series), and this fun graphic novel is the prequel to his first Dresden book, Storm Front. Blurring the lines between fantasy and noir, Dresden is a scrappy, rough-and-tumble consulting professional wizard who's often hired by the Chicago police to work on those crimes that enter the supernatural. Given only 24 hours to solve an inexplicable and gruesome murder at the zoo, Dresden has to deal with unhelpful zoologists and police, a helpful but confused potential love interest, packs of demonically possessed animals and several deadly enchanters along the way, eventually uncovering a plot by one of mankind's great ancient foes. If the story is not particularly deep, it's breathlessly paced, with plenty of quirks and details (one of Dresden's closest friends and allies is an ancient talking skull), and a compelling page-turner. Syaf's art is always effective, but sometimes ping-pongs between generic action-comic combat poses and more personal and evocative horror art. This book is a decent start to a new medium for the series and may pique the interest of those unfamiliar with Dresden and Butcher. (Oct.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Jim Butcher is the New York Times bestselling author of more than a dozen novels, including the Dresden Files and the Codex Alera books. Since the publication of his first Dresden Files novel, Storm Front, in 2000, Butcher has become a favorite author of millions of dedicated readers around the world. A lifelong fan of comic books, Butcher lives in Missouri with his wife and son.

Ardian Syaf is a rising talent who has received universal acclaim for his work on the comic book Honor Among Thieves. Syaf lives in Indonesia.

Excerpt. � Reprinted by permission. All rights reserved.
Introduction by Jim Butcher


I know The Dresden Files got a lot of people’s attention when it aired on the Sci-Fi Channel, but there’s a secret I’ve been needing to get off my chest: In my head, it’s always been an animated cartoon. In fact, when I’m writing it, I actually see panels from a comic book–sorry, graphic novel–in my mind’s eye.

So when the Dabel Brothers came along and expressed an interest in adapting the books to a graphic novel format, I couldn’t have been happier.

See, back in the day (when you just called them "comic books" and "graphic novels" wouldn’t really come into common use until the release of Frank Miller’s Batman: The Dark Knight Returns in 1986), I collected a lot of titles. In point of fact, from 1983 to 1986, I collected every single Marvel title with the exception of the overtly marketed toy tie-in titles (Transformers, GI Joe) and those less-than-successful "New Universe" titles.

Yeah. All of them.

I stopped looking up the value of all those titles about a quarter of the way in. It was too depressing. My mom threw 99 percent of them away when I was off at college. Not that I would have sold them, anyway. Money might be money, but what I loved were the stories; the heroes, the villains, the victims, the explosions, desperate battles, heroic sacrifice–the stuff of legends. At least, they were to that 12- to 15-year-old boy. Those comic books–they were NOT graphic novels back then–stirred my imagination and deeply influenced the kinds of stories I would write myself one day.

So when the Dabels offered me the chance to write an original story in the Dresden Files, as an introduction for the adaptation of the novels, I jumped at the chance! Ah hah! I’d gotten to write a Spider-Man novel for Marvel, but this was going to be even better!

Nobody told me how much *work* it would be.

I mean, a picture is worth a thousand words, right? Well, there are between one and six pictures on every single page of a graphic novel, and when you’re the writer, you’re the one who has to produce the thousand words. You’ve got to tell the artist what you want on the page, give him some idea of perspective, of mood and tone, and generally give him a good notional skeleton to draw the sketches on. When you’re a noob writer for this format, like me, you also have to work out when you’re asking for the impossible and when you’re telling the artist everything he doesn’t need to know, and nothing that he does.

It’s intense. In its own way, it’s harder than writing a novel.

I’m really proud of the results.

"Welcome to the Jungle" is a story set in the world of the Dresden Files, immediately prior to the events of Storm Front. Drawn by the tremendously gifted newcomer Ardian Syaf, I can honestly say that the representation of the characters found here is very, very close to the images of them that exist in my head. Harry is bang-on, in particular, and I just keep getting more impressed with the art being produced to go with the story I’ve written. Put together, I think they make for a fine comic book.

I don’t think I’ll apologize for that one. Comic books opened up a whole universe of imagination to a kid who rushed to the local comic shop each week, eager to buy issues for seventy-five cents to one dollar apiece. Comic books helped awaken my own desire to tell stories, and played a pivotal role in shaping my own storytelling style. I see no slur in the name, no disrespect, and never have.

Even so, I can respect the opinions of others. So welcome to the first issue of the first original Dresden Files graphic novel–"Welcome to the Jungle."

Enjoy.

Most helpful customer reviews

221 of 228 people found the following review helpful.
Another quality entry in the Dresden Files
By Timothy Fitzgerald
First, I'd like to address some of these more negative reviews.

Yes, it is a comic book, not a novel. But the idea that Amazon "hoodwinked" anyone is ridiculous. The book has listings of its sales ranks and has for a while, and it is listed under "graphic novels". Additionally, it has TWO authors listed, not just Butcher, and the picture used to advertise the product has it clearly depicted at the bottom "ILLUSTRATED BY..."

So you whiners who think Amazon pulled one over on you are just too lazy or stupid to read the product description.

Additionally, this is a PREQUEL, so people whining about this and that not looking right or not addressing larger issues brought up later in the series, it is as it should be based on his Pre-Stormfront days.

It is also funny people whining about how it looks, maybe Butcher is just a liar and he writes forwards to sell his product, but according to his own introduction to the book, much of what is depicted is close to how HE sees it in his mind. So he seems to like it and being that he created the characters that is good enough for me.

It is a joke to say that "comics are for kids and books are for adults". Come on, the Dresden Files is good, but it isn't as if you have to be above the age of 10 to read and enjoy them, and Harry Dresden (and Jim Butcher) are comic fans (Butcher himself even says he has always seen the Dresden Files as an Animated Cartoon) so Harry translates well to the medium.

As to the product itself: I found it a thoroughly enjoyable Dresden Files mini-adventure. It is 132 Illustrated pages detailing a Dresden adventure just prior to the start of Stormfront.

It has all the fun and action that you expect from a Dresden Files story, just on a slightly smaller scale, more in line with the early books than the later "heavier" fare. I like the art for the most part, there are some complaints with how the illustrator draws his women, they just don't seem as attractive as they should. The guy has a real Steve Dillion style, and I think faces are his weakest point, everything else looks really good.

Even with the illustrations, there is a LOT of text for a comic book, so the story still is comparable in length to a long short story.

In all it is worthwhile, especially considering individual issues cost $4 and you can get it all hardback for $12. At the very least it is a nice little Dresden snack that, combined with Backup, will take the edge off the wait for Turn Coat.

Not just that, but Dresden quotes from Big Trouble In Little China, it doesn't get any better than that!

106 of 109 people found the following review helpful.
An Answer to Complaints
By J. Hanses
I wasn't going to write a review for this book originally, but seeing the pile of unfair negative reviews, I thought I'd add my two cents to bring the rating back up.

The primary complaint people seem to have is that this is a graphic novel. Yes, readers, this book really is a graphic novel compilation of an original 4 issue comic series by Jim Butcher. If you don't like graphic novels, don't buy it. And if you categorically don't like graphic novels, please stop reviewing it. I hate rap. I don't write reviews on rap music. I would be horribly biased and wouldn't know what I was talking about. Any item should be evaluated on its own terms, not based on flaws with the company selling it. If you feel you were misled, then return the product.

Complaint number two seems to be that the book has no ties to the current Dresden Files plot lines. This book is a prequal. It is set before the beginning of the series. Butcher did it as a side project for a bit of a break, he hasn't forgotten his current plotline. As a prequal, the book stands well on its own, and introduces the characters of Harry, Murphy, and Bob reasonably well. The story is tightly contained, and the only possible flaw is that Harry & Murphy's relationship seems better than it was in the first few books where she was always arresting him for something.

The illustrations are beautiful. I'm not fond of the cover art, but that's not the style used on the interior, which is more lush and less photoshop-ish. I have one small problem with the artist representations in that Harry is drawn too short and Murphy is drawn too tall. This is most noticible when they're in the same frame together. Murph is 1-1/2 feet shorter than Harry, but in the comic she's as tall as his shoulder, about 1/2 foot shorter than he is. I suspect the artist tinkered with the heights so that he could fit Harry & Murphy's faces together in the comic frames more often, but it can be irritating to know Harry is an almost freakishly tall 6 foot 9, but in the book he is merely tall. I would suggest the artist pick up Back to the Future and study how the movie managed to fit the small Michael Fox and tall Christopher Lloyd in the same scenes together.

Butcher has a nice intro to the book, talking about his love for comics, and he clearly learned well from them. The number of narrative boxes is high, but somehow the story still flows and they don't overwhelm the pictures. The end result has me considering purchasing Storm Front's graphic novel version despite already owning the standard novel. If nothing else, it makes me hope he'll write a graphic prequal to book 3.

Extras!: Yes, there's additional stuff in this book. The standard and varient covers are included, as are some concept art and writer's notes on the characters. And of course there's the lovely introduction/homage to comics.

The book is worth it if you're a Dresden fan. It's high quality, beautiful, and fun.

52 of 57 people found the following review helpful.
It's a jungle out there
By EA Solinas
"Like any jungle, it is a world of predators and prey. Some of the most dangerous creatures in the world live here. Very few of them are in cages..."

Having appeared in bestselling books and on TV, detective/wizard Harry Dresden now has his own comic book series, the four-part "Welcome To the Jungle". And it loses nothing in translation -- author Jim Butcher wonderfully preserves the sharp, witty, literate fantasy-noir flavour of his books, which is brought to colorful life with Ardian Syaf's solid artwork. This is one to keep an eye on.

A mangled corpse is found outside the monkey house, but the facts don't add to the "gorilla attack" the city wants. So Murphy calls in Harry Dresden (who was killing a Rawhead and Bloody Bones), and after casting a spell to see what killed the man, Harry knows it definitely wasn't a gorilla, especially since the man filled his opponent with bullets before dying.

Unfortunately Harry only has twenty-four hours to find the culprit. And as he starts poking around the gorilla house, he and nervy zookeeper Wil are attacked by bespelled jungle cats, and later by the Big Bad Black Spectral Dog. Harry suspects the mysterious Dr. Watson, but has no idea of her true plans -- or her true monstrous nature.

I'll give it to Jim Butcher -- not only can the man pen two vastly different series and assorted short stories, but he can turn out a pretty thrilling graphic novel prequel. Though "Welcome to the Jungle" is a short work, it's still crammed with action, monsters, magic, and a unique new supernatural threat that Harry alone can deal with. Basically, what one expects of the Dresden Files.

The plot is a pretty straightforward one, and most of the first quarter involves Harry poking around at the zoo. But soon it speeds up as Butcher introduces lots of splattered blood, glowy eyes, monstrous hags, and some solid action scenes involving train tracks, car chases and flying boulders. By the time Harry rushes into the underground lair (complete with bubbling cauldron), Butcher is officially on an action-packed roll.

Since this is Jim Butcher, there's a hefty dose of humor (Harry getting whacked in the head with a notebook, or chatting with a lecherous talking skull), and also some wonderfully snappy dialogue ("I've taken your staff. I've taken your rod." "You should have taken my gun"). But there are also moments of poignancy, such as Harry recognizing the accused gorilla's grief over his human friend's death.

And Ardian Syaf does a simply lovely job with this book's art. Lots of shadows, blurry corners and just enough gritty fantasy realism -- one stunning image portrays the hags as hooded clawed creatures reaching to a blood-tinted moon. Harry is the tall, rangy, stubbly guy you'd expect, and though Murphy doesn't look quite as "cute" as you'd expect, she's a convincing hard-edged cop.

Butcher's anti-hero is no stereotypical wizard -- he's rough, a little sarcastic, and just trying to make the rent with his magical powers. And in the story's quieter moments, we get to see how Harry became such a cynical loner. And on the ordinary-people front, Wil... acts the way you'd expect an ordinary gal suddenly confronted by magic fire and evil hags to act.

"The Dresden Files: Welcome to the Jungle" is a primo example of what graphic novel spinoffs should be -- fast, sharp and action-packed. Definitely a good read.

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Minggu, 28 Maret 2010

[D275.Ebook] Free PDF The Panic Virus: The True Story Behind the Vaccine-Autism Controversy, by Seth Mnookin

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The Panic Virus: The True Story Behind the Vaccine-Autism Controversy, by Seth Mnookin

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The Panic Virus: The True Story Behind the Vaccine-Autism Controversy, by Seth Mnookin

WHO DECIDES WHICH FACTS ARE TRUE?

In 1998 Andrew Wakefield, a British gastroenterologist with a history of self-promotion, published a paper with a shocking allegation: the measles-mumps-rubella vaccine might cause autism. The media seized hold of the story and, in the process, helped to launch one of the most devastating health scares ever. In the years to come Wakefield would be revealed as a profiteer in league with class-action lawyers, and he would eventually lose his medical license. Meanwhile one study after another failed to find any link between childhood vaccines and autism.

Yet the myth that vaccines somehow cause developmental disorders lives on. Despite the lack of corroborating evidence, it has been popularized by media personalities such as Oprah Winfrey and Jenny McCarthy and legitimized by journalists who claim that they are just being fair to “both sides” of an issue about which there is little debate. Meanwhile millions of dollars have been diverted from potential breakthroughs in autism research, families have spent their savings on ineffective “miracle cures,” and declining vaccination rates have led to outbreaks of deadly illnesses like Hib, measles, and whooping cough. Most tragic of all is the increasing number of children dying from vaccine-preventable diseases.

In The Panic Virus Seth Mnookin draws on interviews with parents, public-health advocates, scientists, and anti-vaccine activists to tackle a fundamental question: How do we decide what the truth is? The fascinating answer helps explain everything from the persistence of conspiracy theories about 9/11 to the appeal of talk-show hosts who demand that President Obama “prove” he was born in America.

The Panic Virus is a riveting and sometimes heart-breaking medical detective story that explores the limits of rational thought. It is the ultimate cautionary tale for our time.

  • Sales Rank: #74234 in Books
  • Published on: 2012-01-03
  • Released on: 2012-01-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.20" w x 5.50" l, .87 pounds
  • Binding: Paperback
  • 464 pages

From Bookmarks Magazine
It might be possible to view Mnookin’s book as the final nail in the coffin for the contemporary antivaccine movement, given its recent scientific and legal setbacks. But Mnookin’s own conclusions would likely deny this; as several reviewers approvingly observed, The Panic Virus is just as much about how today’s society deals with information overload as it is about how it confronts disease. Many reviews echoed Mnookin’s condemnation of the American media for allowing false antivaccine findings to flower. Yet they also praised him for avoiding heavy-handedness and unnecessary jargon, even if the book breaks little new ground in the vaccine debate. Critics strongly recommended the book to anyone interested in medicine and public health, as well as to parents who may fear that booster shot.

From Booklist
Over the last three decades, the incidence of autism spectrum disorder, better known simply as autism, has risen dramatically in the U.S., from approximately 1 in 1,000 children to 1 in 110, arousing widespread concern among parents and psychiatrists alike. A few of the many potential possible culprits scientists have targeted are faulty genes and thimerosal, a mercury-laced preservative in vaccines. Former Newsweek senior journalist Mnookin focuses his masterful investigative skills primarily on the latter, highly controversial possibility, illustrating how the current, misguided anti-vaccine movement can be blamed almost equally on panic-driven parents, sensation-hungry media, and PR-challenged health authorities. In making his case, Mnookin covers a wide swathe of medical history, from polio outbreaks to the scare tactics of fringe British researcher Andrew Wakefield, who first forged the dubious vaccine-autism link. While Mnookin dismantles this link convincingly, his argument that multivaccine cocktails have been proven safe is ultimately less persuasive. Still, he’s an able, engaging wordsmith, and this cautionary tale about misinformed medical alarmism is thoroughly compelling. --Carl Hays

Review
“Seth Mnookin’s The Panic Virus is a lesson how fear hijacks reason and emotion trumps logic. . . . A brilliant piece of reportage and science writing." (Michael Shermer The Wall Street Journal)

"Mnookin deftly describes how the Internet has fostered new communities of people fiercely gathered around their own versions of truth. . . . Loaded with interesting anecdotes and historical tidbits, The Panic Virus is a fascinating read. The scope of the book is often impressive." (Susannah Nesmith The Miami Herald)

"The Panic Virus is sure to attract attention. . . . Mnookin's book is an unsparing brief against the vaccine skeptics. But in a larger sense, this volume is less about the insurrection against inoculations than it is about the democratization of information. . . . Less about the contagion of ideas than about the contagion of misinformation and mistrust that metastasizes in the new technology." (David M. Shribman The Boston Globe)

“A must-read for parents and parents-to-be.” (Trine Tsouderos Chicago Tribune)

“The definitive, infuriating history of the myth that vaccines cause autism.” (Bill Wasik The New York Observer)

Most helpful customer reviews

134 of 148 people found the following review helpful.
One side appeals to the heart, the other to the brain
By EJ
The title of my review comes from a quote in the book by Arthur Allen, who was describing what, to date, has been the penultimate courtroom showdown in the debate over vaccines and autism. As a mother, I could not agree more. Decisions related to our children's healthcare are agonizing and should be done carefully, using the best information available. In my opinion, this book summarizes that information as well as can be done when distilling complex science down to its most elemental truths. Even though to me it was pretty clear which side of the debate the author falls on, he nevertheless managed to present both sides of the argument and write a pretty engaging story while at it.

The Panic Virus focuses primarily on the debate over vaccines, thimerosal, and autism, but it doesn't end there. Mnookin doesn't gloss over mistakes that were made by the CDC and other government bodies in overseeing the safety of multiple vaccines. Even as someone who has a lot of respect for the contributions of vaccines to public health, I was taken aback by some of the points he made regarding the lack of rigorous safety studies in some areas related to vaccines.

However, he also presents the science that has demonstrated as conclusively as possible that vaccines do not cause autism. Those looking for the ultimate proof of a negative will not find it here, because it cannot be done using science, as Mnookin points out. He also covers some of the psychological reasons for why people are so willing to believe in junk science, and discusses Andrew Wakefield's chicanery in detail. Finally, he gives a voice to families whose children have been harmed by the anti-vaccination movement.

In fairness, one or two of the more esoteric points about the science are a tiny bit off the mark. But this should not distract the reader from the brick wall of scientific evidence presented regarding the lack of an association between vaccines and autism. I am surprised that this book has not gotten more media coverage given the topic. It's well-researched, well-written, and about as fair as can be given the heated subject. It's simply appalling that the science of this controversial story does not get the press that the more sensational anti-vaccinators have received. Read it with an open mind.

76 of 84 people found the following review helpful.
Hard to read, hard not to.
By Cub Fan in Michigan
Excellent, and (despite what some will say) relatively unbiased account of the history and consequences of anti-vaccine sentiment. As a scientist, it is fascinating, but maddening to read the accounts of entire nationwide organizations devoted to denying what real, peer-reviewed, well-designed science has shown them.

74 of 83 people found the following review helpful.
A compassionate and factual look at vaccine fears
By ejwillingham
Reviews for this book in the New York Times, Wall Street Journal, the Washington Post, Nature (the world's top scientific journal), the Boston Globe, the Chicago Tribune, New Scientist, and many, many others have all been highly positive, and that's for a reason: Mnookin has carefully and masterfully parsed the story of the fear that has built up around vaccines and how that happened. But even as he focuses meticulously on the facts and evidence about vaccines, he is compassionate and understanding of the fear--and yes, the panic--that have driven one of the most groundless panic attacks the world has seen over a medical intervention. He does not hesitate to call out his own in this book, pointing to the news media as having played a substantial role in beating the panic drums. As anyone who's spent time in the "vaccine wars" foxholes knows, this issue remains a highly contentious one, and some people will cling to the wrong information and wrong icons no matter what the facts say. But, Mnookin's book isn't for them; it's for anyone who's seriously looking for information and context, whether that's a new parent considering vaccines for their child for the first time or an open-minded explorer trying to trace how it is that the greatest public health success in history came to be demonized. He does it without becoming shrill, with a measured and thoughtful voice throughout. Highly recommended.

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Kamis, 04 Maret 2010

[E539.Ebook] Download PDF Painting with Light: Lighting & Photoshop Techniques for Photographers, by Eric Curry

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Painting with Light: Lighting & Photoshop Techniques for Photographers, by Eric Curry

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Painting with Light: Lighting & Photoshop Techniques for Photographers, by Eric Curry

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Painting with Light: Lighting & Photoshop Techniques for Photographers, by Eric Curry

Exploring techniques that will work with the materials that photographers already�have on hand, the�author designs images through thorough planning and creativity that depict his subjects in breathtaking and unexpected ways that would be impossible without the approach detailed in this photography guide. In addition to the inspiration of�the artistry itself, photographers will learn how to push digital imaging to its extremes, taking full advantage of a potential that is largely underutilized. The book covers all the materials photographers should be familiar with and have on hand for their shoot and helps construct sessions that will often involve a full night of photography to create a single final image, and then explores the actual camera and lighting techniques used to produce�images. Painting with light is a technique that allows photographers to work in areas with no, or very low, light and then either selectively apply “pops” of light to their subject and setting using a variety of different light sources and modifiers, orchestrate a sequence of light pops during a single long exposure, or—most commonly—create a lengthy sequence of digital captures with a single pop of light illuminating a specific�feature of the scene in each. Because they are made without moving the camera, these images can then be combined in postproduction to provide the ultimate in creative control.�The composites for several final images are included, showing how the individual captures are treated in Photoshop layers and seamlessly blended to create one highly refined final image.

  • Sales Rank: #1118106 in Books
  • Brand: Brand: Amherst Media
  • Published on: 2012-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .40" w x 7.40" l, 1.05 pounds
  • Binding: Paperback
  • 159 pages
Features
  • Used Book in Good Condition

Review
"His way of painting with light is an artistic approach to photographing a variety of scenes and subjects that readers will find illuminate their imaginations." �—Lou Jacobs Jr., author, Professional Portrait Photography and Studio Lighting

"Eric Curry took the simple idea of 'painting a subject with the light of flashlight' and took it past a new level to a height I could not even imagine. In addition to tremendous photographic and post production skills, he tells a story in one photograph that would take most people a book! His sense of space and composition are second to none."� —Doug Box, director, Texas Professional Photographers Association

"The step-by-step & richly illustrated techniques show you how to master the skill of painting a subject(s) with light. The cover image will give you a very good idea of exactly what can be done with ANY subject matter." —www.NaturePhotographers.net

"An innovative and unique book." —www.ephotozine.com

About the Author

Eric Curry specializes in industrial photography and was trained in studio still life and special effects photography. He is the former owner of an advertising photography studio and now working on location for select clients and his personal work. He lives in Los Angeles.

Most helpful customer reviews

14 of 15 people found the following review helpful.
Bring light into darkness
By photosteve13
I just read Eric Currys Painting with Light, and found it informative and inspiring. In the book he covers how he re-discovered the technique, and how he uses the technique and his passion to make hyper-realistic, storytelling photographs.
The book is written in the style of a friend sharing how he does his speciality. He covers the critical elements of what make his photos different, and why he does things the way he does, without being pedantic on details. He covers everything from the camera type he uses, to the f-stop he recommends, and gives the reason why. I like that he is not just prescriptive, but he treats the reader like a reasoning person. The book is filled with great pictures showing the process of lighting and assembling the images. He does spend some time telling the philosophy behind his series, "American Pride and Passion", and I found that uplifting.
The book is a "How-to" book, and the chapter breakdown looks like this: 1. Logistics. 2. Preparing for the Shoot. 3. The Shoot. 4. Adding Human Subjects. 5. Postproduction. 6. Practical Examples.
Very little fluff, all the writing is purposed to motivate and show you how to use this technique to make your own photographs in this style. If you are at all interested in painting with light, I recommend this book.

15 of 17 people found the following review helpful.
A Beautiful New Approach to an Old Technique
By D. Green
I was fortunate enough to meet Eric Curry when he spoke to the Santa Clarita Valley Photographers Association in early 2012. About 50 photographers attended that meeting, and were entranced and impressed as Curry demonstrated his complex techniques for painting with light. The combination of dozens (or hundreds) of photographs and tens of hours of post-processing appealed to both the get-it-in-camera purists and the Photoshop geeks.

Curry's richly detailed, painterly images, painstakingly created, are a joy to behold, with a realism that evokes Hockney, an American spirit that evokes Rockwell, and an attention to minutiae that Hieronymous Bosch would have been proud of. While photographers often use the term "painting with light" to describe illuminating a time-exposure subject with a handheld light, in Curry's case, the phrase could also apply to the result, as the images look like a surreal mix of painted art and photograph. Curry's technique of laying down light via multiple exposures is not unlike an oil painter's layering of pigment with a brush or knife.

So, it was with some anticipation that I opened Curry's "Painting with Light: Lighting & Photoshop� Techniques for Photographers."

In the true spirit of information-sharing popularized by Websites and blogs like Strobist, Curry generously gives away the family jewels, the keys to the Bentley, and the secret sauce, describing in extreme detail precisely how he goes about creating, shooting and processing his richly detailed art.

Although Curry has attempted to write the book such that a complete photographic novice could attempt his techniques, make no mistake about it: It may be simple, but it is not easy. Only the photographically rigorous need apply! It is a demanding technique, and not for those photographers who would prefer to rely on short-cuts and gimmicks such as HDR, Photoshop plug-ins, and filters. There is no "Auto" button for this challenging, yet rewarding, method.

Still, the approach Curry presents is very straightforward, comprehensive, and understandable. Any serious photographer (amateur or professional), with a cursory understanding of time exposure shooting and Photoshop basics should be able to experiment with, and quickly understand, Curry's techniques. Even more novice photographers may be able to at least play around with the method, though they are less likely to get good results until they have a better understanding of lighting and photographic fundamentals.

Curry's vision is so entirely his own, and his subjects so grandiose, I doubt that we will see photographers rushing out and copying his techniques directly. Rather, I suspect (and hope) photographers will adopt bits and pieces of Curry's techniques and incorporate them into their own work. For me, personally, I can see using light painting to enhance nighttime landscapes. Others may find other uses for it, for both artistic and commercial work.

In short, this is a well-written, beautifully illustrated and useful book, that I would recommend to the serious, passionate and dedicated photographers I know, who are seeking to broaden their vision and seek new ways of expressing their artistry. It present a whole new set of brushes with which to attack the canvas.

On the down side: The biggest shortcoming I found with the book is lack of thorough explanation of the "B" (or "Bulb") mode that allows cameras to take the long exposures that are fundamental to Curry's work! I'm guessing Curry is so familiar with it, that he may have forgotten that in this digital age, many new photographers may have never tried it. The book mentions "manual shutter" without describing how to access the feature. Having taught photography for several years, I think this omission will stump some newer photographers completely, or at least send them scurrying to their owner's manual or Google. Although I suspect Curry may have wished to avoid describing the dozens of ways different cameras implement this feature, it would really have borne at least a brief mention. Fortunately, it is an oversight easily remedied.

(If this is in the book and I somehow missed it, forgive me. I searched, and couldn't find it anywhere.)

Also, Curry gave short shrift to an option that would help those photographers who have to work alone: An advanced remote release (such as Canon's TC-80N3 or Nikon's MC-36) with built-in self-timer, interval timer, and shutter adjustments, which would allow solo photographers to make many exposures without assistance. Although he does mention it in the section on cable releases, it deserves longer mention. While it could be a bit tricky to use, especially on the large-scale subjects Curry shoots, it would eliminate the running back and forth to the camera that Curry describes, and would definitely help with smaller subjects.

All-in-all, a fine book, groundbreaking in some ways, and admirable for the depth to which Curry goes to simplify his technique and make it understandable. Curry finishes on a strong note, with "A Quick and Dirty Review" that breaks his entire technique down to 10 steps. Read the book, copy this page, and you have a checklist to take into the field as you start creating your own painting with light images.

4 of 4 people found the following review helpful.
Should be the basics for every photographer?
By Image Print Reviews
What is photography, if not "painting with light?" Rembrandt and Kinkade were two very different artists who used light to its utmost, and you can do the same with digital imagery if you follow the sage advice provided in this book. The author's techniques should be basic to every photographer, and not an add-on skill put to use when you run out of things to do. Start here, and all your picture-taking will improve, whether you're manipulating the light yourself, using the light that is there, or working in Photoshop to create images that didn't exist in real life.

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Senin, 01 Maret 2010

[N488.Ebook] PDF Ebook College Argument: Understanding the Genre, by CLARK IRENE L

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College Argument: Understanding the Genre, by CLARK  IRENE L

Book by CLARK IRENE L

  • Sales Rank: #635414 in Books
  • Brand: Brand: Kendall Hunt Publishing
  • Published on: 2010-01-07
  • Original language: English
  • Binding: Paperback
  • 338 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Book came in great shape. mad at myself for buying a book ...
By Amazon Customer
Book came in great shape. mad at myself for buying a book my professor only made us read one chapter

0 of 1 people found the following review helpful.
Four Stars
By JoanEsp
Shipped timely and honest description of the book cover being bent.

0 of 2 people found the following review helpful.
book arrived quickly.thanks
By boomboom
the book arrived fairly quickly.
its in alright condition although i had thought i has purchased it new.
but overall it got to its destination quickly.

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